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  • Iceland’s Jurassic Park

    Jaz Sinclair

    “The Iron Claw” Review

    The Iron Claw: Directed by Sean Durkin. With Holt McCallany, Maura Tierney, Grady Wilson, Valentine Newcomer. The true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 1980s.

    The second movie in my A-List week, I only went to see this one due to Zac Efron and the A24 logo. I don’t want to examine why it is that I find all of the A24 content so captivating for fear of learning how the sausage is made, but I know that Efron has been absolutely killing it in every role I’ve seen him in for the last few years and “The Iron Claw” is a continuation of that streak. I do have some concerns about him as a person though, because he was absolutely positively RIPPED for this entire film and it’s difficult to imagine the regimen he goes through to build his body as he’s done. If you’ve seen the most recent “Baywatch” adaptation, you’ll know he’s been working on his physique for a while, but I think he’s easily put on another 50 pounds of muscle and reduced his body fat even more for this role. Additionally his jawline is a fair bit different now, reportedly due to an old injury causing modern problems AND that ridiculous hair cut that all the men had in this story, I honestly wouldn’t blame anyone for not recognizing him very easily.

    Efron is just the leading name for the movie, everyone else in the film represents themselves very well from Lily James to the three other surviving Von Erich brothers played by Jeremy Allen White, Harris Dickinson, and Stanley Simons. Holt McCallany and Maura Tierney are especially notable for their roles as the parents of the Von Erich brood of boys, making things work the only way they know how: either ignoring problems until they get too big to handle or bullying their way to where they want to be. It’s a true story that I wasn’t previously familiar with and to say that they had some drama in their lives is putting it mildly, but honestly most of their issues were the result of pushing yourself to the absolute limit and then some. It’s not a curse when you eventually get hurt after throwing yourself off the top rope 100 times, the law of averages will eventually catch up with you.

    It’s an emotional ride and one that I was happy to take. I was happy that I was alone in the theater for the final emotional scenes, there were a bunch of tears both on screen and off.

    Buy On Amazon!

    theBestWayToFix

    Yulia Zivert

    😭

    CORVETTE


  • Tuesday



    Tuesday: Directed by Daina Oniunas-Pusic. With Arinzé Kene, Lola Petticrew, Julia Louis-Dreyfus, Leah Harvey. A mother and her teenage daughter must confront Death when it arrives in the form of an astonishing talking bird.

    Candice Patton

    Explorer by Brendon Bauman

    If you’re at school

    If you’re at school
    Vapin’ cause you’re cool
    and you’re the type
    to hit the pipe
    these charges will make you drool

    Priscilla Presley, 1970s.

    “American Fiction” Review

    American Fiction: Directed by Cord Jefferson. With Jeffrey Wright, Tracee Ellis Ross, John Ortiz, Erika Alexander. A novelist who’s fed up with the establishment profiting from “Black” entertainment uses a pen name to write a book that propels him into the heart of hypocrisy and the madness he claims to disdain.

    As I’ve found myself in a state of full time unemployment, I’m going to be hitting some of these less actiony movies via my A-List subscription, after all, why not? This entire week had me seeing three movies that I would have normally waited until streaming or purchasing was available, so it was an interesting experience seeing these in the theater, it’s definitely the better option of the two. For two of the three movies I was actually the only person in the theater for their showings, which is a hell of a way to see them if you can swing it.

    The trailer for “American Fiction” made me feel this was going to be more of a comedy than it actually was, but the comedy that was present was refreshingly mature, realistic and not at all like the humor that normal ends up in films. Perhaps it’s my own experiences with recent cinema, but it was a pleasure to watch the exceptionally emotional moments of a critically successful author fail to appeal to the general public until he wrote a performance piece that in his mind was senseless drivel that no one in their right minds would want to read, but it turns out that he underestimated the general sense of a racist society that tries to not be racist but still comes off as trying too hard and focusing on the wrong things. That story is taking place all while the “real world” stuff happening off the page and on the screen was some of the most fantastically depressing and realistic family drama that I’ve gone through myself and while it was painful to see it on the screen, I felt like the family I saw on the screen was much like my own, sans the gay brother diving into pools of cocaine as a part of his coming out experience. The struggles of personal identity vs public perception is a familiar one.

    This isn’t necessarily an experience that is enhanced by the big screen, but if you get a chance to see “American Fiction” I wouldn’t pass it up.

    Buy On Amazon!

    Banned Books

    Gamer Squirtle (2880×6400)

    AV Unit by Denys Kozhevnik

    Abstract [3440×1440]

    Immaculate



    Immaculate: Directed by Michael Mohan. With Sydney Sweeney, Simona Tabasco, Álvaro Morte, Benedetta Porcaroli. Cecilia a woman of devout faith is warm welcomed to the picture-perfect Italian countryside where she is offered a new role at an illustrious convent. But it becomes clearer to Cecilia that her new home harbors dark and horrifying secrets.

    Mila Kunis

    Olivia Newton-John, 1970