Guillotined. The painting is about 30 years after the French revolution by a guy called Gericault. This one is called Severed Heads, his he is one of them. He also has one called Head of a Guillotined Man.
After his return to France in 1821, Géricault was inspired to paint a series of ten portraits of the insane, the patients of a friend, Dr. Étienne-Jean Georget, a pioneer in psychiatric medicine, with each subject exhibiting a different affliction.[11] There are five remaining portraits from the series, including Insane Woman. The paintings are noteworthy for their bravura style, expressive realism, and for their documenting of the psychological discomfort of individuals, made all the more poignant by the history of insanity in Géricault’s family, as well as the artist’s own fragile mental health.[12] His observations of the human subject were not confined to the living, for some remarkable still-lifes—painted studies of severed heads and limbs—have also been ascribed to the artist.[13]
i wonder what they were on at the time of making this “art”
Guillotined. The painting is about 30 years after the French revolution by a guy called Gericault. This one is called Severed Heads, his he is one of them. He also has one called Head of a Guillotined Man.
What is your point? Is art only supposed to depict the pretty things in life?
I thought it had to do with affecting people’s emotions and stuff.
you’re right, here’s copypasta from wiki:
en.wikipedia.org/wiki/Th%C3%A9odore_G%C3%A9ricault#Later_work
After his return to France in 1821, Géricault was inspired to paint a series of ten portraits of the insane, the patients of a friend, Dr. Étienne-Jean Georget, a pioneer in psychiatric medicine, with each subject exhibiting a different affliction.[11] There are five remaining portraits from the series, including Insane Woman. The paintings are noteworthy for their bravura style, expressive realism, and for their documenting of the psychological discomfort of individuals, made all the more poignant by the history of insanity in Géricault’s family, as well as the artist’s own fragile mental health.[12] His observations of the human subject were not confined to the living, for some remarkable still-lifes—painted studies of severed heads and limbs—have also been ascribed to the artist.[13]
Like a Picasso or a Garfunkel.